Week and month views
Switch between a six-week month grid and a single week, jump back to today, and page backwards through what you already published. Every reel carrying a date shows up on its day, titled.
A week or month grid of what's planned and what actually shipped — plus per-channel scheduling that fires from our clock instead of the platform's.
Switch between a six-week month grid and a single week, jump back to today, and page backwards through what you already published. Every reel carrying a date shows up on its day, titled.
Backlog entries with a date are one colour, reels you have published are another, and the header keeps a running count of each for the period on screen. An empty week is visible at a glance, which is the entire job of a content calendar.
The grid is a view, not a control panel: you set a reel's date where you set everything else about it, on the reel card or its plan step. That way a date has one home instead of two screens that can quietly disagree.
On a reel's publish step you can arm a schedule per connected channel — YouTube Shorts for a new account — in your own timezone. A background tick checks every five minutes and performs the upload when the slot arrives.
Select a set of finished reels and spread them over upcoming slots. The times can come from the windows your own channel's data suggests work best, from a benchmark table while you still have too little history, or from a time you pick yourself.
The schedule runs on ReelMint's own timer and does a real upload at the slot, rather than handing the platform a future date and hoping. That is what lets a scheduled post work on a channel with no native scheduling of its own.
A content calendar earns its place by being trustworthy, and the quickest way to lose that is to show things that are not true. So this grid shows exactly two kinds of thing: reels you gave a date to, and reels you actually published. Nothing is inferred, nothing is predicted, and a reel cannot appear on a Tuesday because a model thought it might be a nice idea.
Scheduling itself lives one screen away, on the reel's publish step, and it runs on our clock: at the slot the studio performs a real upload rather than asking the platform to hold a post until later. YouTube Shorts is what a new account can schedule. Instagram Reels publishing is built and is what posts our own channel, but connecting your own Instagram account is waiting on Meta App Review, so plan the rest around YouTube for now.
The calendar, the backlog and per-channel scheduling are all in the free tier. No feature gates.
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