Real motion components for technical explainers, composed per script line.
A catalog of over a hundred purpose-built motion components — code cards with syntax highlighting, terminals, bar and line charts, mind maps, PR cards, checklists, flow diagrams. Each one takes your real data and animates it; none of them are stock video.
Preset scene layouts get you from empty to composed in one click, and any scene you design can be saved as your own template — build a visual language once, reuse it across every reel.
When the catalog doesn't have your hero visual, write one focused Remotion component — or let your AI agent write it — and register it. It's validated, stored with a self-describing contract, and becomes a first-class component in your project.
A scene isn't a flattened clip — it's sections and layers: a background, one or more animations, text, decorations. Each layer stays independently editable up to the moment you render, so a fix never means a redo.
Set a WebGL stage backdrop behind any scene and use 3D-tilted glass cards for content — genuine depth without leaving the editor or flattening anything into a single opaque layer.
Preview any scene as a three-frame film strip — start, middle, end — rendered in seconds from the same engine that makes the final video. You (or your agent) see exactly what a scene looks like before committing to a full render.
Insert transitions between scenes directly in the script editor — they render as real motion in the final video, not editor-only decorations.
Captions animate word-by-word in sync with the narration, styled by your project's caption theme. They're generated with the voice, so timing is exact — no manual subtitle work.
The defining choice in this studio is that a scene is never a finished pixel. A code card holds your actual code; a chart holds your actual numbers; a terminal types your actual commands. When the API in your video changes next month, you edit the text and re-render — you don't reshoot, re-prompt, or regenerate anything.
That choice compounds. Because scenes are components holding data, an agent can compose them over MCP, preview them as film strips, and fix exactly the layer that's wrong — and the template library plus your own registered components mean the visual language you build for one reel is reusable in all of them.
All 100+ components, the template library, and the layered editor are in the free tier. No feature gates.
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